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  • It was hot, muggy, loud and boisterous, but more importantly the one hour that saw rock bad boy Kid Rock on the massive stage at Mosaic Stadium was an exercise in carefully crafted debauchery.

    From the moment that the longhaired rock and roll icon met the Saskatchewan sunshine to the time he bowed out to a standing and appreciative audience, Rock definitively proved that he belongs on the stages of stadiums.

    Following a pre-recorded intro of Journey's "Don't Stop Believin'," the Detroit-born singer and his 10-piece Brown Trucker Band (which included two drummers) took the stage shortly after

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  • In an hour-long set full of the rock and roll excesses of sex, drugs and fireworks, Rock showed just how great of an entertainer he can be, ripping through his own hits and covers, and keeping the audience on its feet.

    Although the sun was still out when they took the stage, Rock and his backup band, Twisted Brown Trucker, left no doubt that the party had begun with "Rock N Roll Jesus," the title cut off his 2007 album.

    Rock and company had the crowd eating out of their hands by the time they got to "All Summer Long," an homage to youth featuring a the guitar line from Lynyrd Skynyrd's "Sweet

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  • Kid Rock and his dynamic Twisted Brown Trucker band delivered a "home run" performance at the Rogers Centre ballpark on Wednesday night in Toronto in front of more than 30, 000 fans! The concert was the second scheduled show in Toronto on Bon Jovi's "The Circle Tour" with very special guest Kid Rock.

    The "Stone Cold Pimp" performed some of his biggest hits including "Bawitdaba", "Cowboy", "Picture" feat.Shannon Curfman and "All Summer Long". He also covered on piano, Jamey Johnson's "In Color" and Sly and The Family Stones "Everyday People." To further showcase Kid Rock's musical talents, he

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  • Prior to Bon Jovi, Detroit rabble rouser Kid Rock showed off his different musical personalities with a fun 55-minute set that incorporated gospel, soul, hip-hop, rock, metal, piano ballads and country.

    Decked out in a baby blue jacket and matching fedora, the man born Robert James Richie took to the stage to the strains of the gospel-tinged "Rock N Roll Jesus" and instantly had the crowd on his side.

    He offered up some southern rock on " You Never Met a Motherf--ker Quite Like Me", got funky on a cover of Sly and the Family Stone's "Everyday People," coaxed the sun out with the hick-hop of

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